Saturday, February 22, 2014

[Sketchbook]Site observation



It is part of the industrial complex, this large steel structure used for transport sugar cane to the inside of the mill. This huge structure connects with sugar mill with only one conveyor.  All the remaining equipment here lead me to think about the time when here still full of human activities. Trucks of sugar cane came to sugar mill one after another and workers works on the giant machines, everything was moving from one place to another. But now without any activities even people, the place is pretty hollow and quiet.

Monday, February 17, 2014

[Reflection 03]



As a large place, different features of the components in the site will effect people's experience. Like the height contrast between industrial and agricultural space; The skyline of the industrial complex; Some color fading sign looks like telling you an old story. I'm learning from the artist Jack whitten to combine the different elements(Images and Drawings) from the site to represent the site, but every little pieces has its own story. 



Invention 03 Jack Whitten

What I want to learn from these works of the artist Jack Whitten is using paint as a medium. Transforming paint compounds into tiles, and applying them to the canvas as mosaics, but zoom in the small squares, they have their own stories. Also, the color he used provide a contrast but clear vision to people.



Sixth Gestalt (The Seamstress) (1993)
Sumi ink and acrylic on canvas
44h x 44w in (111.76h x 111.76w cm)





Sunday, February 16, 2014

[development project 01]


So here is the development of the project 01--the Industrial space, I try to combine the most unique features in this space to create a image: the stack, weed and the huge industrial complex.

[Project 01] Narrating the story

1.Agricultural fields


Features: Flat,dark deep soil, special terrace, in use

2.Industrial complex


Higher elevation, tall bright chimney stack, huge steel structures,abandoned

3. Relationship between the fields and Cinclare sugar mill 


Thursday, February 13, 2014

Reflection 02



What I learned from the abstraction works of artists in 1950s France is how they abstracting the important elements in cartographic maps to their drawings. 

One of the important features of the site is the plantations that located northern and southern to the  industrial complex. Although once the industrial district was considered rural and even isolated, Cinclare is now pressed by development on several frontsHowever, the immediate area surrounding the district is still planted in sugar cane, thus retaining much of its historic appearance.





Sunday, February 9, 2014

Invention 02 French abstraction of 1950s


In the 1940s, these painters experimented with abstraction and large format canvases loaded with paint, pattern, and texture. They worked in Paris after the Second World War, a time of intense creativity and renewal in France. 

·What I want to learn from these works is how they use and overlap paint, pattern, texture on the canvases. I could use the same method to try to abstracting the important elements in cartographic maps and other landscape features of the site.




(Left to right) Serge Poliakoff, Composition, 1957, Tempera on plywood panel 34 7/8 x 45 1/2 in.; 88.5825 x 115.57 cm.. Acquired 1959.; Pierre Soulages,  July 10, 1950, 1950, Oil on canvas 51 1/4 x 63 5/8 in.; 130.175 x 161.6075 cm.. Acquired 1951; Olivier Debré, Cliffs, 1955, Oil on canvas 57 1/2 x 38 1/2 in.; 146.05 x 97.79 cm.. Acquired 1959.